Super Bowl LX: I, too, Sing America

Last night, as I reflected on the Super Bowl’s entertainment, the words of Langston Hughes sang in my mind:

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I’ll be at the table
When company comes.
Nobody’ll dare
Say to me,
“Eat in the kitchen,”
Then.

Besides,
They’ll see how beautiful I am
And be ashamed—

I, too, am America.

The NFL understands that building strong teams depends on embracing the human and athlete who has ascended to the heights of athleticism within a body that presents in differing shades and who has matured within differing cultures, geographies, family systems, and socioeconomic realities.  Through their choice of performers, the NFL expressed their commitment to diversity.

As I left the Super Bowl gathering,  I reflected on the half-time show and its political statements, energy, and celebration: the utility poles symbolic of the administration’s betrayal and corruption in Hurricane Maria’s aftermath; the sugar cane fields call back to slavery and colonialism; the beauty and innocence of children; a day in the life on a Caribbean island; our global and regional interconnectedness; the insistence on another language capable of expressing the fullness of life.

Then I pondered the absence of English subtitles and considered how the language gap prevented me from fully appreciating the performance, and then understood how my attention to words on the bottom of the screen would have distracted from the story being told so richly through the imagery.  Ultimately the audience learned that the capacity for vibrant human experience is one we all share, and a people’s experience does not have to seek legitimacy through the telling of it in the language of the colonizer.  

I returned again to the idea of an all American half time show performed in Spanish, and I contemplated it as powerful symbolism: the United States’ opportunity gaps – economic, class, and gender –reduce the American dream to an incoherent longing.

And I also returned to the image of Bad Bunny grasping and thrusting his crotch.  I reflected on how women were portrayed: as musicians, performers, celebrants, props, and objects.  Intermingled in this modern performance was the old song of the women objectified.

My celebration and the excitement of the half time show was tempered by the sexual elements.  Human sexuality is a central, beautiful aspect of the human experience; sexualization dehumanizes and degrades that experience. 

As meaning-makers, humans seek simple categorizes to define each other, to understand events.  The halftime show was good.  The halftime show was bad.  Yet the truth usually rests in the middle.  A half-time show can reach the highest levels of political and artistic expression and also disappoint.  It can be both, and, but.

The tendency to lock citizens into categories has led to extreme polarization in the United States.  Yet the average American is not easily defined politically; the average American is decidedly politically average.  The murders of Charlie Kirk and health care exec. Brian Thompson were not, as depicted in some media, celebrated by “the left”.  An ethical being can hold both beliefs: dissent of the current republican administration and disapproval of murdering capitalists and political opponents.

The two-party system pushes the idea that one must be firmly in one political camp.  We have no obligation to be in either.  There is infinite space within the rational middle ground.  

This forced dichotomy plays out in many politically-charged topics, and we see it in the issue of illegal immigrants.  Both can be true: Illegal immigrants are here to work hard and create a beautiful life.  And a few illegal immigrants are here to escape consequences of crime in their own country.  

Both can be true:  ICE is catching and deporting immigrants who are here illegally.  And, ICE is racially profiling darker-skinned people, detaining legal immigrants and US citizens, and using forceful, deadly tactics.  

No American wants violent illegal immigrants here.  We have our hands full dealing with the mass shooters, thieves, white collar crooks, rapists and pedophiles within our own population.  

In the case of the Epstein files, both can be true:  There are republican and democrat men who respect women and girls and there are republican and democrat men in the Epstein files who are guilty of crimes against women and children.

No ethical American wants rapists to evade prosecution.  Release the files and let the consequences play out for everyone.

The transgender debate has been deeply polarizing, and Americans have been herded by the political factions into their respective places.  What if we don’t, like those who are questioning, have to choose a side?  What if we were to say, instead, “This is complicated, and I don’t have all the answers?” 

If we are to use the United States Constitution alone as our guiding document, an LBGTQIA+ person is entitled to full membership and respect within our shared human experience.  A minor presenting with identity questions should be treated as if embarking on a journey with a myriad of destinations – and met with kindness, counseling, and medical guidance.  

There exists the beautiful in between, where one keeps their thinking brain engaged and refuses to fall lock step with any party or belief system.  That space gives room for compassion, for empathy, for it’s complicated; let’s find a solution.

I loved the Super Bowl LX Bad Bunny half time show.  I liked it even better the second time.  And I felt disappointed. In my mind, there’s room for both.

The Contours of One’s Soul

I like to watch the chickens when I buy their eggs from the farmer.  Even though I am placing my money in his tin, and counting back my change, I know this exchange is between me and those small birds.

Yesterday in Vermont, I bought a carton of eggs from some chickens.  The carton wouldn’t close; a tall, stately egg angled up the corner.  Inside, the orbs, with their varied hues and sizes, sat in each preformed cup, too unique to sit perfectly.  In the array of twelve, there was not one genuine, certifiable medium.  The eggs were a cosmos without uniformity, without conformity.  In the end, the lopsided, the wide, the pointy, the small, the round, and the jumbo-sized all came together to make my family’s breakfast.

A world without averages, a world without mediums, is a world without mediocrity. It is a world without boundaries, without hedges and barbed wire, a world where potential is determined by what is inside an individual, and beauty is determined by the delicate shades and contours of one’s soul.  It is a world where the greatest work of all is what is done and surrendered up for the good of others.

We have the ability to sustain and nourish each other.  The world could be a beautiful place, if we just understood that its fullness is meant for everyone. I want to be in that kind of carton.

The Cloud of Presence

In loving memory of Iva LaRue

As the Israelites traveled through the desert wilderness, the presence of God was manifest in a cloud by day and a pillar of fire by night. Exodus 13:22

In the summer of 1982
God sat at a card table,
poodles at her ankles,
cocked cigarette in hand,
setting her nine cards
in vast array.

The summer of '82
was slow and hot and humid,
and we traveled through
the days card by card,
pacing ourselves by
trumpeted proclamations
Let’s Make a Deal!
Wheeeeeel ooofff Fortune!

and the whispers of
Luke and Laura.

When the news ended,
when the last card played,
when the air was thick and stale,
and we were tired of each other,
I trudged away, smelling of smoke,
and entered my
quiet house. If anyone
was there, they knew
I had been with God.

Every morning, I’d return,
crossing the wasteland,
my house to God’s,
to sit before the altar
of three channels
and eat toast to
the happy banter of others
Good Morning, America.

The incense of tobacco,
bright and fragrant,
rose into the crisp
morning air, air
cleansed by the
light of the moon.

Sometimes God thundered
about daughters-in-law.
Sometimes God quaked
about the silent phone line,
the boys who seldom called.
Sometimes God wept
for the sins of the family,
and sometimes God spoke
in a still small voice,
It’s going to be ok, honey
Oh baby, I’m so very sorry


An ember by night,
the Cloud of Presence by day,
In the wandering wilderness
of that season,
God Was.

After the Storm

It snowed steadily all night, and the morning
has dawned bright and brilliant and blue.
Everything angular and known is softened or buried,
Familiar pathways have vanished under an expanse
that extends to the edges of my horizon.
To this strange and beautiful place I bring
the only thing I have, the only thing I’ll ever have:
Hope and wonder and the warmth of my being.

Releasing You into the World

Bringing you into the world
was a half-cocked plan,
born of accident and bravado.
Of one thing I was certain:
I would do better than my parents.
My smart resolve soon fell away
into the ruts of their well-worn path.

From the Box Store of Beliefs,
I bought a large suitcase.
Around scratchy clothes and
tight shoes, I arranged for you
all the useless nothings
Of Propriety and how.it.is.supposed.to.be.

I watched that unwieldy valise
bounce against your new knees.
I knew this was best for you
because Important Things are Heavy
and keeping a grip on Big Truths
takes tenacity and brute strength.

As the years went by,
The pillars of what I thought
I knew, what I thought was true,
Toppled.

I remembered
The dream of another way,
Of the path that says:
It is never too late to let go
of the Warping Weight.

It is not too late
For us
to slide that clunker
out the rear car door
into a backwash ditch.

Now, I’m buying you a big bandana
and a stick.

I’m packing you a bundle
Of deodorant and daring
and creativity and chapstick
and sriracha and compassion
and fuzzy socks and
the salve of let.it.go and
the balm of how.it.could.be.

I will watch you set off,
A bright bandana ball bobbing behind you.

Yes, that will be a happy way to release you into the world.

Zippered Pride

Let me tell you what I can do.

I can drive my standard
down Bread Loaf mountain
and never touch the brakes
until the last defiant curve.

I can find sand dollars
with my toes and
hermit crabs with my fingers
and slide them into to a child’s bucket.

I can make a cookie -
You’d choose it for your last meal:
Crisp edges and a chewy center,
Butterscotch Oatmeal Walnut

I can make a meal
from empty cabinets
and fill a dining room table
on Easter and Thanksgiving.

I can change a tire,
Unclog drains,
Find studs,
Replace filters.

I can make chicken soup,
Send that card,
Pay those bills,
Remember everyone’s birthday.

And.

I cannot leave my house
with my dress fully zipped.
And at the end of all I do,
I cannot unzip myself.

It all comes down
to this one small gesture,
the small seedling moment
that rifts my stony, stoic existence.

It is the weight of the hand
against my back, tugging downward,
breaking me open,
It is all that follows.

And all that I can do
Is silenced
by the quiet clicks
of the one thing
I cannot.

Squam Lake

Art by Jim Oskineegish

The nights of heat lightening
and mornings of languid water have passed.

The sun has shifted and the
yodels and tremolos of the loons
have subsided into hoots that simply ask:
“Where are you?”

Under the slackened gaze of a clear sky,
the mountains shake green velvet robes
from their shoulders, robes that fall
like golden halos at their feet.

From this unadorned landscape,
chasms and cracks, crevasses and caves emerge.

In this new season, in this new naked light,
I touch your stony skeleton
and rest my head against the scarred hollow
that holds your heart.

I discover the shadow of your smile,
the subtle slant that tempers pain with joy.

I seek the places where you hide,
the truth you shield with lies.

I trace my hand along the ridges where rocks
break into slides, where the avalanche awaits.

Here. It is here that I find you.

On the Sidelines in the Spring

In the bay, people are walking their dogs
on water and pretending it’s ice.

I’m new here, but I’m not blind.

Eager dog paws and bright boots kick up water
as they slosh further from shore.

Their excursions unnerve me. I wonder
what ancient heat, what fanning winds
have driven them to this mad adventure.

I will admit,
the sun has drawn close,
intense and bright,
and I feel
slightly intoxicated,
and even, a bit ornery. Still.

I haven’t forgotten the definition of foolhardy, or just plain dumb.

Maybe I’m just a cautious old dog,
puppy love once, but long ago.

I lean forward to watch the show.

I wonder how they know, these tethered companions,
When it’s time to stop walking?

When is the day they walk to the edge, and turn back?

Or maybe they don’t. Maybe here
they keep venturing out
onto melting ice, hoping for the best.

Maybe here they ignore
thin ice warnings
from the news and their
friends. Maybe they even
ignore the snapping
under their own feet.

Maybe, one more walk
on a brilliant day is
worth the plunge,
worth the flailing
through icy water to emerge,
half-dead, onto the shore.

I lean my body back
into the smooth curve
of the bench, and zip my coat
up over my chest, and
settle on the verge
of maybe Spring.

March 21

Photo Art by Elisabeth Messina

Don’t be a wallflower,
Spring.
Don’t slip in silently
and stand in the shadows.
Don’t be afraid of Winter,
that bully.
We’ve had enough of his
biting remarks and
cold retorts.
I’ll punch him
in the nose for you
and take the Saturday
just to watch him
sputterandspit.
Just step forward
and dance with me.
I’ll dance with you
as long as you like,
long after that
wildly popular sweaty
Summer shows up.

The Art of Letting Go or, Stormy with a Chance of Seedpods

Photo art by Tom Branch

Letting go is like
Letting go of honey,
or letting go of dirt
under your fingernails after
an afternoon in the garden

Letting go is like
dropping a hot-handled skillet,
the imprint bubbled into your palm.

Or it is like lingering.
It is losing the scent
from a lover’s pillow.

It is the slow melt.

It is marking each labored breath
while feeling the planet’s rotation
under your feet.

Letting go is like blowing
a dandelion
into the wind,
a contrary wind,
that whisks tiny tailed wisps
up your nostrils
under your eyelids
into your ears.

Letting go is artless wretchedness.
There’s no beauty in it:
It is a roll in the mud and
a stumble through the briars.
But when you emerge,
your dented grace
and seedling peace
will be enough.